Monthly Archives: July 2017

Manuscript ML1856 fountain pen meta-review

A little bit of history  Manuscript is a British company which has been around for over 160 years – since 1856, in fact, which is where this pen gets its name. As with our Silvine samples recently we found ourselves reminiscing about Manuscript products of the past. Thankfully, the ML1856 is a big step up from the cheap shrink-wrapped products that we’re used to seeing in high-street shops here in the UK.

How it looks  Hotttttttttttttttttttt. Mateusz’s design is the ‘Molten Lava’., as you can see below – but we think these these pens look hotter than molten lava. Manuscript pulled the boat out when designing these. In John’s review he observes that the designs can be a little bit different every time due to the setting process, which gives every pen its own individual personality.  We have been fortunate enough to review the Purple Mist, Molten Lava, Turquoise Ocean & Northern Lights pens. In addition to this, there are three other colour-ways available: Red Storm, Oyster Mist and Midnight.

However, not every aspect of the aesthetic was loved.  The clip has two circles, echoing the dual crown of the cap’s top (which is a reminder that Manuscript has been going so long that they used to supply the kings of both Spain and Portugal), but the shape of the clip itself seemed a little gimmicky.  As Laura puts it, “don’t dress a model in Primark clothes.”

How it feels  Across the Inkdom we all agreed that the pen was lightweight but strong. While being made of the Italian resin, we felt confident that the pen would hold up. However, John did comment on the threads when screwing the barrel onto the section, and had concerns about breaking or otherwise damaging the pen – which he said was out of character for the otherwise strong feel. Daniel with his “weird grip” was still able to use the pen, despite his fingers touching the threads; thankfully they’re not sharp and are comfortable (as far as threads go). However, some concerns remained as regards the clip which seems rather stiff, albeit usable. The pen sits in the hand very well; posting is just about possible, but awkward, and doing so will make the pen too long for most tastes. The size of the pen allows Manuscript to appeal to most writers as it isn’t too large, but it isn’t a pocket pen either.

Right from the get-go with the packaging of the pen you get the impression of a ‘premium product’. It’s not a conventional pen box, with the pen standing up as opposed to laying flat, but still wonderfully presented.

How it fills  Cartridge/converter. This makes it easy for the user to change inks if need be, but it’s also not difficult to refill every so often (though does make it a little bit more tedious than, say, a piston for constant ink usage, but easier for maintenance and cleaning). Daniel did question the possibility of it being converted into an eyedropper as he tested the pen with water and it seemed to be sealed, but we’re not advocating this unless Manuscript advise it!

Crucially, how it writes…  There are both flat and round nib options for the Manuscript 1856: two stubs (1.1mm & 1.5mm) and a handwriting nib. All nibs are steel and are from JoWo in Germany.Laura, Daniel & John all thought that their nibs wrote fantastically – Laura put it the best when she said that her 1.1mm nib wrote “wetter than England in autumn.” Mateusz however, felt that his nib was a little dry for his liking, although the flow improved over time. Overall, the writing experience was rated as pleasant by the reviewing team. The only thing that the stub nibs aren’t great for are reverse writing, as Daniel discovered. The nibs write wet and the feeds keep up well, which is what makes it great for the purpose of the pen.Pen! What is it good for?  Manuscript seems to be, as a brand, synonymous with calligraphy, certainly for beginners here in the UK anyway. The 1.1mm and 1.5mm stub nibs means that you can get a little calligraphic with your writing, particularly when considering scripts such as gothic.

Of course, if calligraphy isn’t your thing then you can always opt for the ‘handwriting’ nib which will give you the writing experience of nibs you might be more used to. The handwriting nib won’t be as thick and perhaps a little more conventional for everyday writing.

VFM   While the majority of our findings are quite positive, we do have concerns here; simply put, this is a good a pen, but it isn’t £125 good. As Daniel pointed out, his custom John Twiss pen was only £10 more expensive than this. Laura notes that the Edison Collier and Pearlette are similar in design, similar in price but better as regards value for money. Twiss and Edison alternatives also use JoWo nibs, so there is serious competition.

Bottom-top: Laban Mento, Manuscript ML1856 & John Twiss custom pen

If this isn’t quite your cup of tea, but almost…   The Edison Pearlette and Collier are similar in both aesthetic and price. Another option might be a Laban pen; these pop up at pen shows (here in the UK at least) with a similar design but run to about £60; less than half the price.  As John points out, for £125 you could also get a Platinum #3776, and while these lack the hand-made aesthetic the gold nib goes a long way to make up for it. Mr Pen’s English Curate, which we reviewed last year, is made in the same workshop (formerly of Sigma fame) but a lot more reasonably priced.Our overall recommendation  While we loved using the pen, the price point just doesn’t justify it for us, unfortunately. There are too many alternatives which are similar to the ML1856 but better quality/feel for the same price or others that might sacrifice ever so slightly on the feel but are much more affordable. We like the direction Manuscript is heading in, but our recommendation would be to wait until the value issue has been rectified before pulling the trigger; to put it politely, it looks to us as if the RRP is rather too ambitious at present.

Where to get hold of one  There are few stockists as yet – La Couronne du Comte was the first we know of – but Cult Pens has just started stocking them too.

This meta-review references: 

Northern Lights

Thanks to: Manuscript for providing the pens for review purposes. All views expressed here are our own both within the meta-review and in our own individual reviews that we have provided; the pens were sent to us in exchange for an honest review. Manuscript, to their credit, were completely fine with that, and not withstanding our reservations about some elements of the package are still keen for us to give one away; a great attitude, we think.

Give-away!  Would you like to win one of these test pens?  If your name pops out of the hat, you can – and better still, you get to choose which one it is.  To bag one of these, let us know what you think the crowned heads of the Iberian peninsula would have used an ML1856 for, if they’d been available before the revolution – what sort of correspondence would be flying between Lisbon and Madrid with aid of such serious nibbage?  Answers in the comments box please, by 16 July.  We’ll task the reviewers with deciding which ideas they find the most hilarious, mind-bending or imaginatively splendid, so thinking caps on…

 

Paper Republic Grand Voyageur XL

A little bit of history  While the whole “traveller’s notebook” craze was getting very fashionable – and let’s face it, very expensive – some enterprising folks in Austria thought that they could probably do better if they took the concept and started again from scratch. We caught up with their take on the format at the London Stationery Show, and tempted by the rather lovely-looking Grand Voyageur XL version (partly because it looked like it was A5), we immediately volunteered to put a few of them to the test.  Three of us have taken these out and about, pour voyages grands et petits, and here’s how they fared.

How it looks  Like a traveller’s notebook made by professionals for serious writers, which is a good image to start with.  The leather is available in a range of colours all the way from understated to bright and bold, and the availability of contrasting elastic closures (if preferred by the user) can make it look smarter still.  The Paper Republic logo is neatly debossed on the back, and buyers can have their initials on the front for a modest extra charge.  Only the frayed ends of the knotted retaining bands detracts from the professional appearance, but this may be something the makers look into improving in subsequent models.

How it feels  Smooth, supple, flexible and generally luxurious; if you’re a bit of a stationery leather fetishist you’re going to be pretty happy with this material.  Thanks to vegetable-derived tanning processes it even smells good, and it seems to hold up well after vigorous use.

How it fills  With Paper Republic’s Swedish-made refills, available in plain, lined and grid versions.  This is where we encountered the one major fly in the ointment; the paper is OK, but the paper size is not as we had expected.  These are not, in fact, A5 (which is 148mmX210mm), but a proprietary size of around 135mmX200mm, and that greatly limits the usefulness of the design.  If you have pages of notes made in the Grand Voyageur XL which you wish to remove and file with A5 notes, it’s going to be messy. Worse still, if you wish to source your own A5 refills, perhaps because you are actually travelling and can’t arrange a Paper Republic delivery, you can’t; a full A5 refill hangs out of the cover in a thoroughly ungainly fashion.  This is such a serious limitation that it is only really going to work for the sort of writer who is so disciplined that they know exactly how much writing they will do on any given expedition, and that’s a pity; other than this shortfall, we all thought it was a great product.Crucially, how it handles fountain pens…  Quite well, fortunately!  The manufacturer’s claim to use the best paper in the world was a bit of an exaggeration – we have certainly all used better – but that’s not say it’s bad at all.  It was quite pleasant to write on and coped with every nib we threw at it with aplomb.

Pulp! What is it good for?  Well, given the issue with size, it’s hard to think of what these are best used for at present.  But Laura’s adaptation of one into an ink journal looks like a good place to begin.

VFM  These covers retail for €60 direct from Paper Republic, or £54 from Cult Pens in the UK; which is most affordable will depend upon how much of a mess the Pound is in on the day you wish to make a purchase, but it’s always worth checking the exchange rates first. Our view is that the quality justifies that price, but the actual value to you the consumer may depend upon whether the eccentric paper size is a help or a hindrance.

If this isn’t quite your cup of tea, but almost…  There is also a not-quite-A5 notebook format from Germany, the X17, but while this has even more colour options, it shares the drawback of falling short in a dimension or two.  The only true A5 notebook cover we have come across is from Devon; the Start Bay is only available in shades of brown but is more competitively priced and definitely does the job well.  Meanwhile Paper Republic do also make a passport-sized notebook, and another which doubles as a mobile ‘phone cover, which may have wider appeal.

Our overall recommendation  This is a really well-made, impressive product which we would like to recommend without reservations.  Unfortunately we do have one serious reservation, but we have already shared this with Paper Republic and they’ve told us they’re considering how to proceed.  If they go ahead and produce a true A5 version – perhaps the Plus Grand Voyageur XXL – we’ll be first in the queue to buy a few.

Where to get hold of one If you like the format it makes a lot of sense to support the manufacturer by buying direct. However, if the consequences of foreign policy eccentricities have knocked your own currency out of kilter, Cult Pens also sell them.

This meta-reviews references:

Thanks to  Paper Republic  for donating no less then three notebooks in return for honest reviews.