Monthly Archives: November 2017

Modern Calligraphy book review

Modern Calligraphy, it appears, is an actual thing. Whether it is the sort of thing that it sounds like is possibly another matter.  Calligraphy (‘beautiful writing’, for all the classical etymology fans out there), can mean anything from zen masterworks to that nineteenth-century business hand which looks like copperplate but was seriously intended for everyday use. So a book featuring just those two words as its title could relate to any point within that wide spectrum – but we were pretty sure it was going to be something which would interest us.The author is owner of Quill London, a combined design studio and stationery shop. What becomes clear on an introductory perusal is that the definition of calligraphy in use here is very much at the ornamentally decorative end of the scale. Bluntly, if you’re looking for a calligraphic hand which you can practise, perfect, and incorporate into your daily note-taking to the amazement of colleagues this probably isn’t the book you need. But if you’re called on to label floral arrangements, wedding place settings and hipster chocolates, it might be exactly what you want – as long as the style suits you.Lucy refers to letter-forming, not writing, and that’s a useful indicator to the type of art-form expounded here, which perhaps owes as much to sign-writing as traditional pen calligraphy.  The advantage of this is that the approach recommended offers lots of scope for variety, from reminding readers that brush pens are a legitimate tool, to actively encouraging us to ‘fake it’ when large features such as drop-capitals are required and a two-inch ginormoflex nib isn’t readily to hand. The disadvantage is that the book’s main dependence upon dip pens overlooks the range of flex nibs available in modern fountain pens – indeed, the text gets this factually wrong by suggesting that the only flex FP is the Noodler’s Nib Creaper, but this is the only complete howler and we can hopefully help if there’s a reprint.

The book features a range of practice exercises and ample space to rehearse your moves. That may not be so comfortable for anyone raised to avoid ever writing in a text-book, and it also means paying full price for a book which is only half composed of actual text, but it also makes it is easy to get started. Importantly, the publishers have wisely chosen to use fountain-pen-friendly paper, so the exercises are accessible and give a quick feel for whether this is a hand which suits you. The verdict from our test panel was it may or may not be quite everyone’s favourite lettering style, but that it is at least fun finding out.

So, we’d perhaps like to see something like this book covering a hand which could be tackled with a flex fountain pen, but that’s for another day.  In the meantime this is a good example of how a lot of ideas and experience can be conveyed quickly by a well-designed manual, a great advert for Lucy’s in-house training courses, and a pretty good stocking filler for anyone you know who is more into the eye-catching end result than the rarefied details of ‘serious nibbage’.

This meta-review draws upon brief reviews by:

Thanks to Lucy and her publishers for sending a few review copies our way.

 

Diamine Shimmertastic new colours

A little bit of history  Diamine were the first manufacturer to produce a range of affordable shimmering inks following J. Herbin’s innovation of introducing tiny sparkling particles to their inks. They launched with a range of 10 different colours, added another 12 later (reviewed here), and the new ones take that up to an impressive 32 colours.

How it looks  Diamine are well-versed in shimmering inks by now. They could do this in their sleep. However, they’ve not rested on their laurels here. Rather than just adding more sparkle to more ink, they’ve upped their game. What makes these new inks stand out is not only their strong, saturated colours, but the sheen many of them display. This adds a new dimension to the inks. The sparkle itself is subtle yet visible.

The blues and greens  The new range features four blue and green inks.

Arctic Blue is a bright, cool blue with a frosty silver shimmer. It also has a pinkish-red sheen.

Spearmint Diva is a bluish-green with silver shimmer. It’s similar to Tropical Glow from the same range, though the latter is more of a greenish-blue. It’s good to see that Diamine have those of us who love a good teal covered! However, Spearmint Diva also has a bit of a red sheen on some papers.

Golden Ivy is a traditional deep green with, again, a reddish sheen, set off with gold shimmer. This would make a lovely Christmas ink.

Cobalt Jazz is a saturated cobalt blue with a red sheen and gold shimmer. This is a gorgeous colour that looks pretty spectacular.

The reds  There are three new red inks in the range.

First off, there’s Electric Pink. This is no cute Barbie pink. This is take-no-prisoners pink: it’s rich and saturated, with silver sparkle.

Citrus Ice is a warm, saturated orange with a contrasting cool silver sparkle.

Firefly is an orange-toned red with gold sparkle. Another festive ink.

The purples  The three new additions at the purple end of the spectrum are a real treat.

Arabian Nights is a deep purple-black with silver shimmer. It’s probably the most usable of the inks for everyday writing. The shimmer is subtle and the dark ink is readable and utilitarian while retaining a lot of character.

Frosted Orchid is a slightly lighter purple ink with red tones and silver sparkle. This will be popular.

The last of the new inks is Wine Divine. This is a lovely addition to Diamine’s already well-stocked wine cellar (with Merlot, Syrah, and Claret). The ink is a rich burgundy with gold shimmer.

 

Crucially, how it writes…  Diamine have been on the go for over 150 years. The quality of their ink is sound, and these are no exceptions. They flow well and benefit from a wider nib to show off both sheen and shimmer. 

Ink! What is it good for?  These are unusual inks, and the sparkle makes it unlikely you’ll want to use these for business documents. They’re great for cards and letters, especially with Christmas fast approaching. As usual with shimmering inks, be sure to give the bottle a gentle shake before filling a pen. Similarly, gently agitate a pen that’s had the ink in it a while to mix up the settled shimmer particles. There’s also a caveat: any ink with particles like this has the potential to clog up a pen, so use this ink in pens that you can disassemble relatively easily to clean out properly.

VFM  Although more expensive than Diamine’s standard inks, the Shimmertastic range is an affordable way to get some seriously interesting inks. In the UK, a 50ml bottle retails for around £9-10.If this isn’t quite your cup of tea, but almost…  J. Herbin make a variety of premium shimmering inks. De Atramentis also offer a new line of shimmering inks, with each ink available with gold, silver, or copper shimmer. Robert Oster are soon to launch their own sparkles, too.

Our overall recommendation  These are great, fun inks with some unusual and interesting properties, available at a good price. Where to get hold of some  The usual suspects have these inks in stock (or soon will!). You can also purchase from Diamine directly.

This meta-reviews references:

Thanks to  Diamine for kindly providing samples as the newly expanded range was launched.