Tag Archives: fountain pen review

Pelikan Stola III fountain pen meta-review

A little bit of history The first incarnation of Pelikan began in Germany in 1832, so it’s safe to say they’be been around a while. Over the course of time its gone bankrupt and restarted, and its headquarters have moved to Switzerland, but its pens haven’t changed much at all. Many of Pelikan’s designs are almost unchanged from 1929, the year the company released its first fountain pen, and they’re still made in Germany.How it looks Pelikan is a company famous for making lots of very similar (and beautiful) looking pens but the Stola III is a little different. The clip maintains the pelican-beak motif but is a simple wire loop. The cap and barrel are finished in a silver-grey enamel which is modern looking but rather plain. The section is black plastic. It’s unlikely to set any hearts racing, but Pelikan have done a good job for a low price-point.

How it feels The barrel is brass which gives the pen some heft, which went down well with some reviewers but not with others. It’s fairly well-balanced, but rather short. Some of our large-handed reviewers struggled a little with holding it comfortably and, critically, the cap doesn’t post properly (you can kind-of balance it on the end, if you don’t move it too quickly, but it’s tricky). It’s a small pen that insists on staying that way.

How it fills Standard international cartridges and some (e.g. Schmidt) converters. Not every converter will fit but this still gives you a lot of choice.Crucially, how it writes… The stainless steel nib is very good for a pen that costs £20. It’s smooth and has a good flow. It’s great… as long as you want a medium nib. Unfortunately, Pelikan have only released the Stola III with one size of nib, which is silly when so many other pens at similar prices are available with a full range of widths. It’s doubly silly when the nib itself writes so well.Pen! What is it good for? The Stola III is a lovely pen for extended writing, if it isn’t too short for you. You can pick a colour to get your thoughts flowing and journal or plan away to your heart’s content.

VFM This is very much a case of: if your requirements happen to coincide with what the Stola III offers, it’s a good value pen.If this isn’t quite your cup of tea, but almost… then you have a huge number of options. If you want a small, pocketable pen then the Kaweco Classic Sport is a little cheaper and has lots of nib sizes. The Lamy Safari is easily obtainable, a fantastic pen and also a little cheaper. If you’d prefer a more classic looking pen then the Pilot MR (also known as the Metropolitan) is worth a look, as is the Faber-Castell Basic. Then for funky looking pens you could look at the Pilot Kakuno or the Faber-Castell Loom. Finally, if you’d like an enamelled metal-barrelled pen with a cap that’ll post, the excellent but often overlooked Sheaffer VFM is a good choice. We could go on but you get the idea… this is a crowded price point, which can only be a good thing.

Our overall recommendation The Stola III is a pen that writes well, takes a wide range of cartridges, and has a certain aura of quality about it. However, it is very much a one-trick pony. If you like the metallic grey look, enjoy medium nibs, don’t like to post and find short pens comfortable, then it’s definitely worth considering the Stola III. However, with so much choice available, you can almost certainly find a different pen that’s at least as good, for a similar amount of money, that fits your tastes and needs more closely.

Where to get hold of one If you’re in the UK then Niche Pens is always a good place to start for all things Pelikan. Elsewhere, we can recommend Pen Chalet, who were kind enough to send us this sample (for which we are very grateful).This meta-review references reviews by:

Manuscript ML1856 fountain pen meta-review

A little bit of history  Manuscript is a British company which has been around for over 160 years – since 1856, in fact, which is where this pen gets its name. As with our Silvine samples recently we found ourselves reminiscing about Manuscript products of the past. Thankfully, the ML1856 is a big step up from the cheap shrink-wrapped products that we’re used to seeing in high-street shops here in the UK.

How it looks  Hotttttttttttttttttttt. Mateusz’s design is the ‘Molten Lava’., as you can see below – but we think these these pens look hotter than molten lava. Manuscript pulled the boat out when designing these. In John’s review he observes that the designs can be a little bit different every time due to the setting process, which gives every pen its own individual personality.  We have been fortunate enough to review the Purple Mist, Molten Lava, Turquoise Ocean & Northern Lights pens. In addition to this, there are three other colour-ways available: Red Storm, Oyster Mist and Midnight.

However, not every aspect of the aesthetic was loved.  The clip has two circles, echoing the dual crown of the cap’s top (which is a reminder that Manuscript has been going so long that they used to supply the kings of both Spain and Portugal), but the shape of the clip itself seemed a little gimmicky.  As Laura puts it, “don’t dress a model in Primark clothes.”

How it feels  Across the Inkdom we all agreed that the pen was lightweight but strong. While being made of the Italian resin, we felt confident that the pen would hold up. However, John did comment on the threads when screwing the barrel onto the section, and had concerns about breaking or otherwise damaging the pen – which he said was out of character for the otherwise strong feel. Daniel with his “weird grip” was still able to use the pen, despite his fingers touching the threads; thankfully they’re not sharp and are comfortable (as far as threads go). However, some concerns remained as regards the clip which seems rather stiff, albeit usable. The pen sits in the hand very well; posting is just about possible, but awkward, and doing so will make the pen too long for most tastes. The size of the pen allows Manuscript to appeal to most writers as it isn’t too large, but it isn’t a pocket pen either.

Right from the get-go with the packaging of the pen you get the impression of a ‘premium product’. It’s not a conventional pen box, with the pen standing up as opposed to laying flat, but still wonderfully presented.

How it fills  Cartridge/converter. This makes it easy for the user to change inks if need be, but it’s also not difficult to refill every so often (though does make it a little bit more tedious than, say, a piston for constant ink usage, but easier for maintenance and cleaning). Daniel did question the possibility of it being converted into an eyedropper as he tested the pen with water and it seemed to be sealed, but we’re not advocating this unless Manuscript advise it!

Crucially, how it writes…  There are both flat and round nib options for the Manuscript 1856: two stubs (1.1mm & 1.5mm) and a handwriting nib. All nibs are steel and are from JoWo in Germany.Laura, Daniel & John all thought that their nibs wrote fantastically – Laura put it the best when she said that her 1.1mm nib wrote “wetter than England in autumn.” Mateusz however, felt that his nib was a little dry for his liking, although the flow improved over time. Overall, the writing experience was rated as pleasant by the reviewing team. The only thing that the stub nibs aren’t great for are reverse writing, as Daniel discovered. The nibs write wet and the feeds keep up well, which is what makes it great for the purpose of the pen.Pen! What is it good for?  Manuscript seems to be, as a brand, synonymous with calligraphy, certainly for beginners here in the UK anyway. The 1.1mm and 1.5mm stub nibs means that you can get a little calligraphic with your writing, particularly when considering scripts such as gothic.

Of course, if calligraphy isn’t your thing then you can always opt for the ‘handwriting’ nib which will give you the writing experience of nibs you might be more used to. The handwriting nib won’t be as thick and perhaps a little more conventional for everyday writing.

VFM   While the majority of our findings are quite positive, we do have concerns here; simply put, this is a good a pen, but it isn’t £125 good. As Daniel pointed out, his custom John Twiss pen was only £10 more expensive than this. Laura notes that the Edison Collier and Pearlette are similar in design, similar in price but better as regards value for money. Twiss and Edison alternatives also use JoWo nibs, so there is serious competition.

Bottom-top: Laban Mento, Manuscript ML1856 & John Twiss custom pen

If this isn’t quite your cup of tea, but almost…   The Edison Pearlette and Collier are similar in both aesthetic and price. Another option might be a Laban pen; these pop up at pen shows (here in the UK at least) with a similar design but run to about £60; less than half the price.  As John points out, for £125 you could also get a Platinum #3776, and while these lack the hand-made aesthetic the gold nib goes a long way to make up for it. Mr Pen’s English Curate, which we reviewed last year, is made in the same workshop (formerly of Sigma fame) but a lot more reasonably priced.Our overall recommendation  While we loved using the pen, the price point just doesn’t justify it for us, unfortunately. There are too many alternatives which are similar to the ML1856 but better quality/feel for the same price or others that might sacrifice ever so slightly on the feel but are much more affordable. We like the direction Manuscript is heading in, but our recommendation would be to wait until the value issue has been rectified before pulling the trigger; to put it politely, it looks to us as if the RRP is rather too ambitious at present.

Where to get hold of one  There are few stockists as yet – La Couronne du Comte was the first we know of – but Cult Pens has just started stocking them too.

This meta-review references: 

Northern Lights

Thanks to: Manuscript for providing the pens for review purposes. All views expressed here are our own both within the meta-review and in our own individual reviews that we have provided; the pens were sent to us in exchange for an honest review. Manuscript, to their credit, were completely fine with that, and not withstanding our reservations about some elements of the package are still keen for us to give one away; a great attitude, we think.

Give-away!  Would you like to win one of these test pens?  If your name pops out of the hat, you can – and better still, you get to choose which one it is.  To bag one of these, let us know what you think the crowned heads of the Iberian peninsula would have used an ML1856 for, if they’d been available before the revolution – what sort of correspondence would be flying between Lisbon and Madrid with aid of such serious nibbage?  Answers in the comments box please, by 16 July.  We’ll task the reviewers with deciding which ideas they find the most hilarious, mind-bending or imaginatively splendid, so thinking caps on…

 

Streamline fountain pen review

A little bit of history   As the twentieth century grew more confident in its own artistic milieu and Art Deco architecture collided with aeronautical design, the blended lines of ‘Streamline Moderne’ emerged. It bore all sorts of results, from Morecambe’s Midland Hotel (where everyday is like Sunday, according to Mr. Morrissey), to the passenger accommodation of The Hindenburg (itself inspiration for the Diplomat Aero), and, of course, the Airstream caravan (as slow as all other caravans but at least nicer to look at). Several decades later, Jake Lazzari of Applied Pens spotted the missing category; fountain pens.

How it looks  Like a pocket version of the Schienenzeppelin with a nib inside the engine bay, or a rapidly-extruded Airsteam, or, inevitably an alien mind-probe.  It rather defies easy description, frankly, and it’s probably better to let the pictures do the talking on this occasion; suffice it to say that there is nothing else out there quite like it.

How it feels  It’s big – really extraordinarily big. So much so that you might wonder if your hands are big enough.  Three-quarters of our reviewing panel were, however, pleasantly surprised to find that it nevertheless felt about right in the hand, and the lightness of the materials ensures that it’s not as heavy as it looks either.  The ebonite makes it warm to the touch immediately, which is also rather pleasant.  But it will be just a bit too big for some.

How it fills  With a simple Schmidt converter, and that’s perfectly reasonable.  The lack of metal inside then barrel and the close threads probably means that eye-dropper conversion is also possible, if you don’t mind a few ink-burps as a result.

Crucially, how it writes…  As ever with hand-made pens, that depends upon the nib you choose to add.  Jake uses the Bock #6 steel nib as standard, and although the review unit we sampled had been bashed about a bit, to the detriment of writing performance in this case, Jake does test all nibs before dispatch to customers and will rectify any issues which arise after delivery. The writing position is comfortable and, with a #6 nib of your choice, this should be a very nice long-term scribbler.

Pen! What is it good for?  Let’s keep it clean, folks. It’s for writing – really, it is. Most of us would probably keep a pen this extravagantly outré for use at home, but it would certainly look the part signing big contracts… or peace treaties with extraterrestrial civilisations.

VFM  Most versions of the Streamline are available at around the £150 mark, which we think is fair for a hand-made pen with unique design and plenty of customisation options. Installing a nib which is more exotic than the steel standard will naturally add to that, but it’s still a tempting proposition for most of us who reviewed it.

If this isn’t quite your cup of tea, but almost…  The acrylic used in the section of this review sample wasn’t quite as popular as the ebonite of the main body, but that’s no real problem as there are copious alternative options – have a look at Jake’s Etsy page (link below) for a few ideas if you need them.  If you like the unique design but just can’t handle something quite this huge, Jake does make some smaller pens too.  We can’t think of any other pen maker turning out anything remotely comparable, though.

Our overall recommendation  If you like big pens and you cannot lie, then make like Sir Inkalot to the website and order one; we were mightily impressed and several of us have started to muse about our own choice of materials one day.  We’d like to see a version with a bigger #8 nib in the future too, but this is a pretty special pen which looks out of this world but is also very nice to wield.

Where to get hold of one  From Jake’s Etsy page, or the outer rings of Saturn, whichever is closer to you.

This meta-reviews references:

Thanks to  Jake for supplying this extraordinary test sample, and offering one lucky reader the chance to take it home!  The competition entailed ideas for favourite Welsh designers, with a very broad brief as to what ‘designer’ means. There were some wonderfully creative responses but the most surprising had to be the humble equals= sign.  The prize is winging its way by flying saucer…

Super5 pens and inks

A little bit of history  Last year we made contact (via Matthias) with the remarkable Super5 in Germany, and a select band of bloggers got to grips with their novel range of pens and inks.  It’s such a distinctive collection that just this once we’re reviewing a whole brand, rather than just one product. The range includes fountain pens, rollerballs, and FP-friendly permanent inks – you can see why we couldn’t resist!newandoldSuper5s

How it looks  The Super5 pen, in all its variants, looks a lot like the Kingsley Dex and the Manuscript Master, which is hardly surprising as it shares its basic Helit body with both. Like the Master, it has a nice metal sections too, and the useless but fun screw-off blind cap which could, just about, allow access to the turning knob of a converter if you wanted it to (but you won’t want it to, honestly).  This is a comfortable, appealing shape and there’s a decent range of colour schemes too.  The inks looks like they come in Rohrer&Klingner bottles, because that’s precisely what they are.orangeonblack

How it feels  The pen’s body is a combination of warm plastic and firm but comfortable metal (in the section).  ‘Nothing to complain about there.Super 5 FP

How it fills  Pop in a cartridge, or if you want to make the most of the Super5 ink range, a normal ‘international’ converter.  It’s all very straightforward.Super5 07FP

Crucially, how it writes…  Very well, and quite differently from many other affordable fountain pens.  The round nib has iridium tipping but the italic versions have none – just polished steel.  Of course, that’s just fine if calligraphy is your style. If you really can’t handle fountain pens, which seems unlikely if you’re reading this but let’s roll with it anyway, there’s also a rollerball version which accepts the same cartridges or converters so you can use fountain pen ink.orangeonwhite

Pen! What is it good for?  The italic nibs (0.5mm and 0.7mm respectively) are particularly good for fast semi-calligraphic writing.  They work with the Super5 permanent inks, too, so they’re pretty handy.Atlantic

Ink! What is it good for?  While the names of some of the inks baffled us a bit, we all thought they worked very well in the Super5 pens, flowing impressively well for such a thick ink.  So, it’s good stuff for calligraphy – as long as you give your pen an occasional flush-through afterwards.Australia

VFM  These have to be imported, and they are only procured in relatively small batches, so the pens are inevitably not going to be quite as affordable as the humble Dex – indeed, they’re about twice the price.  That’s still not ridiculous money for pens which work well and can handle some punishment, though.  The ink is a little steeper, but still fair value if a coloured permanent ink is just what you need.

If this isn’t quite your cup of tea, but almost…  The Dex and Manuscript Master are pens worth a look instead.  KWZ are working on some permanent inks which could prove competition in the refill department.Super5 Rollerball

Our overall recommendation  It’s all worth a look – and if you want something no-one else in the office is likely to have, this is a sure-fire bet.

Where to get hold of one  Direct from ‘Papierlabor‘ is the only way.

This meta-reviews references:

Thanks to Super5 for the generous set of test samples.

 

Namisu Nova fountain pen meta-review

01 Brass at the castleA little bit of history  Glaciers, weathering and tectonic plates were all involved to a greater or lesser extent in separating the Lothian volcanoes from the kingdom of Fife, but ever since the Forth Bridge became the world’s largest project management metaphor, both sides of the firth have been part of an on-and-off industrial heartland.  That engineering heritage was recently sparked in to life in one local business unit by the Kickstarter project which brought Namisu into being, and they’re now producing a couple of models in an increasingly diverse range of materials.  Some of us have been interested since those heady Kickstarter days, but the word is spreading fast…01 Alu goes Forth

How it looks  Like a streamlined version of the Nakaya-esque ‘bullet’ shape, polished-up for use as a prop in 1950s sci-fi B-movies – which is a long way round to saying that it’s minimalist, and we like that very much.  It looks exceedingly cool, whatever the material it’s cast in. The only catch is that said minimalist tube does rather like to roll off any surface you place it on!ClumsyPenmanship

How it feels  Large but really rather comfortable.  Obviously, the different materials available make a quite a difference; the aluminium version is sturdy and light, the ebonite version is very warm to the touch, and the brass version is satisfyingly heavy – probably too heavy for many writers, but marvellous if you like a weightier pen.02 Laura's Alu

How it smells  This criterion doesn’t feature in every meta-review, but appears here thanks to the ebonite version which Namisu kindly lent several of us to test.  Ebonite is a rather old-school material for a fountain pen, and it’s essentially just very hard rubber. That makes it tactile, light and warm to hold, which are all good things, but for those with sensitive noses there is also the detectable whiff of burnt tyres on a warm summer’s day. Of course, whether that’s a noxious pong or a nostalgic aroma is very much a matter of olfactory taste.03 Scribble's alu

How it fills  Cartridge/converter.  There should be space in there for a longer international cartridge, and Namisu often provide a good Schmitt converter with the Nova too.04 Rob's Back in black

Crucially, how it writes…  This is very much dependent upon whether you go for one of Namisu’s nibs or fit your own.  Namisu stocks Bock nibs, usually either the standard steel (occasionally black-coated, as above) or titanium.  The Bock #6 steel nibs are firm but quite pleasant to use, while the titanium option offers a bit of flex – although we had mixed feelings as to how smooth they were on the paper.  The feed and collar unscrew, and any other Bock #6 assembly will screw back in, so if you happen to have spare nibs from the larger Kaweco or Diplomat pens, for example, they’ll be easy to swap.  It’s also possible to buy unbranded Bock replacement nibs from sources such as Beaufort, although the gold option is as pricey as you might expect.  Helpfully, the actual metal is a standard shape, so other #6 nibs, for instance those made by JoWo, can be transplanted into the Bock feed and collar assembly without too much difficulty; these can be acquired more affordably from FPnibs.com.08 Ruth's ebonite

Pen! What is it good for?  The aluminium and ebonite versions are both good for longer writing sessions or quick note-taking  – as long as you put the cap somewhere safe!  The brass version could probably double up as some form of defensive weapon, but we wouldn’t recommend doing that with it.05 Ian's Alu&Ebonite

VFM  At £45 the aluminium version is really very good value for a distinctive British-built fountain pen.  The brass and titanium versions get pricier, but are both still quite competitive for enthusiasts of those metals.  Ebonite nudges the ticket into three figures, which seemed a little steep to us for a pen which only has a basic steel nib, but it’s an unusual material, and while rather expensive this is hardly daylight robbery.  Match a Nova with a really good nib of your choice and you get something truly splendid for the outlay.06 Dan's Ebonite

If this isn’t quite your cup of tea, but almost…  Namisu also make the Orion, a fairly similar shape but one which hasn’t appealed so much to us.  Or, if you like the look of the titanium Nova and want to spend ten times as much, there’s a Nakaya made from the same material.  Hmm.nib again

Our overall recommendation  Go ahead and get one while you can!  The aluminium version is an affordable design classic, and you can always upgrade to other materials later on.  If you covet the brass version, though, move fast; Namisu took some persuading to make it at all and we understand that it is intended as a one-off at the moment (you could prove them wrong, of course).cap endWhere to get hold of one  Right now, buying from Namisu directly is the only way.10 Scribble's brass

This meta-reviews references:

Thanks to  Namisu for lending several of us an ebonite Nova to play with.  The rest we bought with our own money!07 Nova-nib

Tactile Turn Gist meta-review

A little bit of history  Once upon a time there was a nice chap from Texas called Will Hodges, who had amassed a rather spiffing collection of lathes and was wondering just what sort of toys to make for good boys and girls all over the world – not necessarily just for Christmas, you understand, but the sort of thing that you’d definitely have to be on your very best behaviour to deserve.  Flirting with the seductive magic mirror, or ‘Kickstarter’ as it is known to all the elves, he had immediate success with dark ballpoint doings which shall not be spoken of here – and then stepped into the light and started making proper pens!  Will’s first fountain pen, the Gist, is now available in a truly legendary array of materials including pretty much everything bar kryptonite, and has become a hit on both sides of the Pond.  Several of us had initially obtained one through aforementioned conjuring device, and then a wise stallholder in ye olde Ipswich Bazaar started selling them to passing scribblers here too…

polybrassfinialHow it looks  As the brand name suggests (just for once, it’s entirely relevant and accurate) the whole pen has been precision-turned to make it a tactile pleasure to use – but we’ll come on to how it feels in a moment.  How it looks is, frankly, pretty much like the stereotypical alien mind-probe; with those eerily-accurate ripples and space-age materials, it wouldn’t look out place in Captain Kirk’s hands (its uses are far less sinister, though, unless you write left-handed of course). The very sharp-eyed may be able to spot some light marks from the lathe chuck on the barrel of the polycarbonate version (as depicted below), but it doesn’t greatly detract from the overall effect.

barrelHow it feels  Those ripples and ridges provide a good grip without discomfort, and most users have found this a pleasure to pick up and get writing with.  The weight varies considerably depending upon the materials chosen; the all-brass version is without doubt a nicely weighty pen, the all-polycarbonate version is feather-light, and the combinations of polycarbonate barrel and metal section concentrate the weight just where you most want it, near the nib.  Which feels best for you depends largely upon personal taste.  The only catch we detected was that the copper grip can be a little slippery on a warm day.

How it fills  This fills with a straightforward Schmidt converter (provided as standard), or international cartridges if you prefer.  For everyday practicality there’s nothing wrong with that at all.

Crucially, how it writes…  The Gist employs a big #6 Bock nib, available from Tactile Turn in steel, titanium and gold versions.  Bock’s steel nibs are firm but widely admired, and we’ve had no reports of any problems there.  The titanium nib is a bit more of an acquired taste as there is flex, but not always as much smoothness as flex fans generally like. The #6 Bock gold nib writes beautifully (as also seen on the Diplomat Aero and Kaweco Elite/Supra, for instance), albeit following quite an outlay.  If that range of options doesn’t suit, it is also possible to transplant a JoWo #6 into the Bock feed, as seen in the modified example below (displaying rhodium, ruthenium and zirconium from left to right).gistpolycarbonitezirconium

Pen! What is it good for?  This is a well thought-through ‘every-day carry’ pen which can be comfortably used for long writing sessions and will serve as a sturdy workhorse.  Some of the all-metal versions are probably great for exhibitionist bling, too, but we’re not going to admit to being interested in that around here, oh no…

gistbrass1VFM  The Gist has to cope with transatlantic tariffs and the buffeting of currency exchange rates, so competing on price with European offerings is not always going to be easy. With a simple steel nib, the all-polycarbonate looks to us like fair, albeit perhaps not stellar, value at £70 – whereas just £30 more will get you the all-copper version which seems an absolute steal.

If this isn’t quite your cup of tea, but almost…  There’s nothing quite like the Gist, really, although there other pens which bear some comparison on the basis of the materials.  If you love the polycarbonate finish then the Lamy 2000 employs similar material, albeit with a much less visible nib. If you really want the brass Gist but are struggling with the import logistics, Kaweco’s Supra has a similar heft and also uses the Bock #6 nib. There are no other Tactile Turn fountain pen designs yet – although just imagine this shape scaled-up to fit JoWo’s #8 nib… hmm, maybe next Christmas.

Our overall recommendation  Try a friend’s Gist first – it’s a bit of a ‘Marmite proposition’ in some guises – but if you like it, buy one.  Individual pen-makers who connect with writers and adapt to their needs like Will does deserve their success – and maybe, just maybe, you’ve been good enough to deserve one of his pens.

gistbrass2Where to get hold of one  Newcomer e-tailer iZods is stocking a broad sample of the Gist range in the UK, including the titanium and copper versions here.  If you want the full range including all the stock options, you can also buy direct from Will here, although beware of those import taxes.

This meta-reviews references:

Thanks to  Roy at iZods for lending John a Gist to play with.

Twiss Pens ‘Green Lizard’ fountain pen review

A little bit of history The process of making cellulose acetate (the barrel and cap material of this pen) dates back to 1865.  Whilst not quite as old, this pen is made from materials rescued from a château in Le Mans that were made in the 1930s-40s. The pen has been expertly crafted by John Twiss of Twiss Pens (see the recent profile piece on United Inkdom) from a mixture of this material, ebonite for the grip and a black acrylic for the finials.Lizard posted

How it looks Like a reptile all dressed up for a night out at a 1970s-themed nightclub, the spiral pattern is sure to impress even those who don’t take to green in general. The black finials give a modern look & complement the pen nicely, and the clip is short & functional giving the pen a retro vintage feel (although this pen could definitely pull off something fancier). The striped ebonite grip section complements the lizard skin nicely and stops it from being overpowering. It is finished beautifully and whilst the pen is branded it is very subtle.Green-Lizard-acrylic-join

How it feels This is a very light pen, only 17g capped and filled but the balance on the pen is excellent. Despite being rather thin, it is comfortable in hand and is long enough to remain suitably usable even though it doesn’t post. The slightly shaped ebonite grip section is comfortable to hold and all the materials feel superb. We couldn’t figure out exactly how many times you needed to turn the cap to remove it, but it’s unlikely to swivel-off without a deliberate effort.

Polymers2
Polymers explained, using the 1.1mm nib

How it fills The pen takes a standard international cartridge or the supplied Schmidt converter – just be careful not to pull too hard, as it screws-in to the grip section. The converter isn’t going to come loose in a hurry either.Green-Lizard-clip-and-cap

Crucially, how it writes… The pen fits a #6 JoWo nib, and it was supplied with a fine nib which was buttery smooth, a medium nib which was great, if a bit broader than expected and a 1.1mm nib that gave plenty of line variation and a smooth writing experience. JoWo nibs tend to be consistently good and if you want something special then it is always possible to fit a gold nib, something this pen probably deserves.

RuthWritingFnib
Putting the F nib through its paces

Pen! What is it good for? Possibly not the best pen if you need to grab it quickly for jotting down a quick note, but for long writing sessions this is a gem. Definitely not a pen to be kept in the dark, this is a fancy pen but with an air of sophistication so it needs to be used.

The M nib, busy looking reptilian

VFM This is a one-of-a-kind pen.  John lovingly crafts each pen by hand, and based on the quality of finish this one is up to his usual high standards. You can buy cheaper pens, or even get pens at this price with a gold nib, but nothing that looks quite this special – so it still ticks our good-value-for-money box!

If this isn’t quite your cup of tea, but almost… Just pop John an email and discuss what you like and don’t like in a pen.  The waiting list is long, but it’s for a good reason.

Green-Lizard-nib
The 1.1mm italic nib, about to snap-up a passing dragonfly for supper

Our overall recommendation Twiss pens are admired by all of us due to the high level of craftsmanship and attention to detail. This pen is excellent to use and looks very special, it even has a bit of history attached. No-one wanted to give this one away however…

Where to get hold of one This is a one-of-a-kind pen, but if you want to commission something like it, the place to go is John’s  website.

Rarely seen in the wild, this green lizard requires a special licence to be kept as a domestic pen.

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Thanks to John Twiss for making us (and one lucky winner) this amazing pen. Drop John a line and we are sure that he will be more than happy to craft you your own Twiss gem.

Giveaway  We did something a little special for this very special pen, asking would-be owners to leave here on this review as well as visiting our individual sites.  The competition has now closed and we’ve identified a winner!  Eric, we’ll be in touch to get your delivery details…

Profile of John Twiss

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A couple of years after taking early retirement, in search of something to do, John Twiss splurged out on an ancient lathe and some firewood, spent a week “producing some smaller bits of … round firewood”, came across a video of someone making a pen and decided to give it a go himself. That was five years ago and I think it’s safe to say that John is now the UK’s premier maker of handmade custom pens.

John’s based at Sherwood Forest Art and Craft Centre on the edge of that famous and ancient woodland. His studio is full of beautiful pens in every stage of completeness, from blocks of resin, wood or casein to the finished article. He can make pens from almost anything… although he did once turn down a request to create a pen from someone’s brother’s ashes.

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John doesn’t use any computer-aided machinery, making all his pens by hand on manual lathes. An individual pen can take up to a few days to make. If you’re interested, and in the Nottinghamshire area, you can stop by to see how it’s done.

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Although many pre-made pens are available through the website you really need to take advantage of John’s ability to make a pen to your exact requirements, using (almost, see above) any material you like, including Irish Bog Oak or custom-cast resin, in any shape, with or with a clip, using a range of nibs . . . well, you can see how this can get addictive.

 

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None of this would matter if the finished product wasn’t good but the quality is in fact outstanding. Between us, your United Inkdom correspondents have bought or reviewed upwards of ten Twiss pens and they have all been exceptional.

You can follow John on https://twitter.com/twisspens and browse his  website here.

We will soon be reviewing, and then giving away, a very special handmade Twiss pen, so check back soon for details!

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Edison Collier

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A little bit of history Edison Pens is based in Milan, Ohio and was founded in 2007 by Brian and Andrea Gray, in their garage. The company is named after Thomas Edison who was also born in Milan, Ohio and some of their pen models are named after people or locations related to him. They produce a range of ‘Signature Line’ pens which are completely custom made and cover a large range of models, including some unusual and fascinating filling mechanisms. The Collier is part of their ‘Production Line’ range, available in the UK exclusively from The Writing Desk. Production Line pens are more affordable than the Signature Line range but come without customisation options.

How it looks This is a fine-looking pen. Between us we were able to look at the Persimmon Swirl (bought by Rob with his very own money) and the Blue Steel (loaned to us by The Writing Desk). Both acrylics are gorgeous. The shape is both original and classic – a tough combination to pull off.

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How it feels The barrel is quite wide but tapers to a much slimmer section. This makes for a pen that’s very comfortable in the hand, particularly as it combines both a light weight and good length. It doesn’t really post. (It’s possible but a little precarious.)

How it fills It’s a standard cartridge/converter pen but it’s possible to use it as an eye-dropper too. If you choose the latter option you can fill it with enough ink to last a lifetime.

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Crucially, how it writes… The Collier uses a JoWo nib engraved with Edison’s bulb/nib logo. We were able to try out a few different steel nibs and they were all lovely (although one needed a little adjustment first). JoWo make great steel nibs but if gold is your thing, then that’s an option on the Collier too.

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Pen! What is it good for? Whatever you want, really. It’s a pen that would look great adorning your desk but it’s a pen that’s been made to be used.

VFM This isn’t a cheap pen but it’s been made to a high standard. You’re getting a pen that’s been made to custom-pen quality but at a much-reduced cost, which in our eyes makes the Collier good value.

If this isn’t quite your cup of tea, but almost… If the Collier is almost your perfect pen but not quite then it might be worth looking into Edison’s ‘Signature Line’ and customising the basic model to make it exactly what you want. Alternatively Edison have a couple of other models available in the ‘Production Line’ range.

Our overall recommendation We love this pen! It writes well, looks beautiful and is made with obvious care and attention to detail.

Where to get hold of one If you’re in the UK then The Writing Desk is the only place you can get one. If you’re elsewhere then Edison has a list of distributors on their website.

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Thanks to The Writing Desk for giving us the opportunity to try out this pen. None of us wanted to send it back!

Yard-O-Led Viceory Grand Victorian Fountain Pen

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A little bit of history  Yard-O-Led have been making writing instruments, primarily of the mechanical pencil persuasion, since 1822. Although fountain pens are a relatively recent development, all that experience and craftsmanship counts for a lot. We wrote a profile of Yard-O-Led quite recently.

The pen, and the box it comes in

How it looks  Oh my goodness this is a fine looking pen. All of the almost 200 years of knowledge has gone into the designing and the crafting of this pen. The cap and barrel are made from hallmarked sterling silver and the pattern is painstakingly applied by hand. The effect is one of the utmost quality that celebrates the heritage of the company. This is a pen that looks as if it has been around for a hundred years and feels as if it will be around for a hundred more.

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How it feels  This is not a light pen; it’s made from solid silver after all. However the balance is such that it doesn’t feel too heavy in the hand. Silver is quite a warm metal, too. There’s more than comfort though – when you hold this pen, the size (it’s big) and the weight combine to the overall feeling of quality. The section is metal, of course, which doesn’t suit everyone, but its contour aids grip and reduces the likelihood of slipperiness.

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How it fills  It’s a standard international cartridge/converter affair. The supplied converter isn’t anything special but is perfectly functional.

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Crucially, how it writes…  The rhodium-plated 18k nib is firm and very smooth. Between us we’ve been able to try all three of the available options (fine, medium and broad) and have enjoyed them all.

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Pen! What is it good for?   This is not a pen for throwing in your pocket when you’re off to the beach. It is a pen to keep and cherish and use and pass on to your favourite child to keep and cherish and use and pass on again. It’s a pen to appreciate and admire.

VFM  This is a very expensive pen. It’s impossible to say definitively whether it offers value for money or not. The important question is: is this pen worth it to you? We all feel the same: we would buy this pen in a moment, if we had the money.hallmarks2

If this isn’t quite your cup of tea, but almost…  Yard-O-Led make two smaller (the pocket and the standard) pens too, if you love this design but would prefer something less…grand… (and a little more affordable, relatively speaking).  There are also one or two other purveyors of silver fountain pens starting to come onto the market which we hope to explore in coming months.

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Our overall recommendation  This is a gorgeous pen. It’s a work of art  which is also wonderful to write with. If you are in the market for a pen to last for generations, this is a pen you should seriously consider.

Where to get hold of one  From some of your favourite online stockists or direct from Yard-O-Led themselves.

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Thanks to Yard-O-Led for giving us the opportunity to try out this pen. None of us wanted to send it back, so we’re glad they trusted us!

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