Izods profile

title-barThis week, we profile a brand new name in the fountain pen retail firmament – the exotically-monikered Izods, of exotic (OK, we’re stretching a point here) Ipswich.  Izods has come to many readers’ attention as a result of the growing interest in Robert Oster inks, which we’ll come on to below.  But we start by catching up with Roy, the founder of the company.osterpalette2

So, where does that curious name come from?  Well, I wanted a name which was short and snappy, and my grandfather had a yard in Birmingham called Izods – somehow it just seemed to fit!  I got into selling vintage pens the way many people do in this world; I like fixing things, and after preparing a few fountain pens for my own use found I had rather more on my hands than I’d planned, then one thing led to another.

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You’re obviously fond of Montblanc, a brand which not everyone in the fountain pen world has kind words for – so what does it for you?  MB is a big conglomerate selling all sorts of things these days, and that’s perhaps not everyone’s cup of tea of course.  But many of the vintage pens were made of really good-quality materials which hold their value and usability for a long time, and even people who aren’t fountain pen fans say they have something of an ‘aura’ about them.  The trouble is, buying vintage Montblancs on the internet can be a fraught business, with some in variable condition and even counterfeits to trap the unwary.  That’s where I come in; I check everything properly, including the provenance, and carry out any cleaning, minor repairs etc. if needed so that I can be sure that anything I put on sale is in top-notch condition.  My favourites are the special editions like the Agatha Christie pen (pictured above), but they all seem to have their fans.

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How did Australia’s Robert Oster inks come your way?  After selling pens for a while, ink seemed the logical next step – but I wanted to offer something a little different.  There was already quite a bit of interest in Robert’s range of inks on this side of the planet, and few outlets, so that seemed a niche which needed filling.  Robert was great to talk to and we got on immediately – he even found himself buying a couple of pens from me! We’ve just picked nine inks so far – there are plenty more colours where they came from – but they do seem to be selling like hot cakes already.

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How did Tactile Turn join the collection?  Again, like Robert this was a personal connection as much as anything; Will from Tactile Turn is a real enthusiast who takes such a pride in being hands-on, and the Gist is a lovely pen – it looks and feels different, in a good way! We’re stocking most of the materials Will makes the Gist in at present and may well broaden out to a wider selection of nib options, and perhaps even some of Will’s other models, if demand is as strong as we expect it to be.

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United Inkdom will be reviewing the Tactile Turn Gist and a selection of Robert Oster inks soon. Meanwhile, you can see all of Roy’s wares, including the Darkstar notebooks above, at the Izods website.

Kaweco fountain pen inks review

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We’re joined by the Clumsy Penman himself for this week’s review, so what better way to start than with a collection of his underwater ink pics?

It’s off to Nuremberg we must go next, though, for this is where the marvellous Kaweco are based.  A small name which packs a big punch in the fountain pen world, we all have a Sport or two from Kaweco tucked-away in a pocket somewhere. They actually have their own range of inks made in Austria (as does Montblanc, curiously enough), but wherever they hail from it was high time that we put their own range of inks to the test too!  An adventurous band of United Inkdom reviewers new and old (hey, less of the old) broke out the nibs and got busy.

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Sunrise Orange is one of the newer additions to the range, and reactions from our testers suggest that it was a very welcome one.  Mateusz found this not only a worthy rival to the well-know Apache Sunset, but in many respects rather better, and Scribble liked the orange-tinged sunrise so much that a bottle of tequila is back on the shopping list, while Ian was soon lusting for a spot of caramel. Either way, it’s tasty – and just look at that shading.

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Paradise Blue has quite a fan base, as a good sturdy (or ‘solid’ as James says) turquoise/teal.  Scribble likes it a lot, and Ian can live with the modest shading too. The flow is good but, as Mateusz points out, there is a price to pay in this particular ink’s tendency to sink rapidly into paper, which is only really useful if you want to read your genius-like thoughts back-to-front from the reverse page.

royalblue02royalblue01Royal Blue is perhaps not the most original colour, and Ian and Scribble were both reminded of school-room days.  Matthias set out to find what mystical qualities might have put this in the same class as the now-deceased Rotring ink, without definite result – although he did like it.  James, though, found something others hadn’t spotted; a sheen. Now you’ve done it, James – that’ll open the floodgates.

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Midnight Blue is a fairly standard dark blue or blue-black.  Honestly, there’s not a lot to say about this as a colour, although as Ian points out it does still have reliably good flow.

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Pearl Black, similarly, is a rather everyday black.  Any self-respecting ink range does have to have a black, and there is a limit to what anyone can do to make it interesting, although Ian thought this one was on a par with Aurora black, which sounds like a compliment at least.

caramel02 caramel01Caramel Brown seems to be one of the least popular colours.  There’s nothing especially wrong with it as an ink, if you like browns – but if you’re not a fan of brown inks in the first place, then this may not tempt you to the earthy side.  Ian even found it ‘sludgy‘ (in colour rather than consistency), and it’s hard to hear that as a good thing.

summer05summer02 summer04 Summer Purple returns the Kaweco ink range to popularity, with a juicy flow and a juicy colour to boot.  Mateusz found it a good performer, James enjoyed the subtle sheen, Scribble added it to the never-ending collection of Too Many Purples.  Even Ian, who is not  the world’s biggest fan of purples, thought this a good one.

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rubyred03 rubyred04Ruby Red seems to have impressed people just as much as Montblanc’s Corn-poppy Red did (we’re back to wondering about that Austrian factory again). Ian felt it had a good bit of character, while both James and Mateusz noted more than a hint of rosy magenta in the mix.

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Palm Green looks like a forest green to James or a ‘textbook’ green to Mateusz, which just goes to show the benefit of taking more than one opinion.  Ian spotted potential for quite pronounced shading, too.

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Smoky Grey is last, and probably on this occasion least, given that only two reviewers have put it to the test.  Grey is not everyone’s cup of tea, to be fair, but this one does seem to behave quite well and offer more shading interest than the average.

scribblesquaresVFM Can be something of  a challenge with this collection, to  be honest.  The bottles contain only 30ml, and are sold at ‘premium’ prices in the UK – although this is at least in part a self-inflicted exchange rate problem for us Brits to deal with. Price competition looks particularly tough when compared with our home-grown Diamine, who provide 80ml bottles of ink for little more than half the price.  Few retailers stock both brands at present, but to cite the example of one with the lowest prices for both, at the time of publication The Writing Desk were charging  a little over 7 pence per millilitre for Diamine, and 35p/ml for Kaweco ink.  That effectively knocks Kaweco inks out of consideration for everyday colours like Royal Blue, which both brands provide; even if you like the look of that sheen, it’s unlikely that many fountain pen users would consider the Kaweco version five times better than the Diamine.  But some of the highly distinctive shades such as Sunrise Orange, Paradise Blue and Smoky Grey have qualities which really make them worth seeking out, in our opinion – and they’re hardly going to break the bank!jameslakepanoramaOur overall recommendation is to choose carefully and invest in one or two of these which particularly take your fancy.  If you like purple, Summer Purple is warm and user-friendly. If you’re a turquoise fan and can stand the ink sinking-in to the paper rather enthusiastically, Paradise Blue is a lovely colour.  Ruby Red and Palm Green beat any teacher’s homework-marking ballpoint any day… and Sunrise Orange eats Apache Sunset for breakfast.  If you just want a well-behaved Austrian everyday black or royal blue, you don’t really need to spend so much; even Montblanc will provide you with twice as much ink for the same money.  But we like this collection; suffice it to say that there are several Sports, Lilliputs and at least one Supra which will now be filled with ink from the same stable for quite some time.

Thanks to Kaweco for kindly providing generous samples for this meta-review exercise.

For more reviews of the whole range see:

The Missing Ink book review

While United Inkdom was having some down time in October, Nathan Weston suggested that we consider the occasional book review – and named our first review subject while he was at it.  There will be more in the pipeline, but we’re going to start with Nathan’s suggestion, The Missing Ink by Philip Hensher.  As usual with our meta-reviews, three of us have read and reviewed the book and compared notes – and they do vary, rather…the-curates-eggPunch cartoons pop up in many a history textbook, but the sketch above is probably the one that got most into everyday language.  Our readings of The Missing Ink suggest a similarly ‘balanced’ view; Daniel enjoyed it, John found it not much to his taste, and Scribble found it, well, a bit of a curate’s egg.

The opening premise of the book is an unfortunate one for us proper-pen users, in that Hensher posits that handwriting is on its way out.  In taxonomising the species before extinction, however, the book goes into considerable detail investigating the roots of handwriting teaching, from Spencer’s military-style pen drill sessions to Marion Richardson’s over-simplified ‘children’s hand’.  Although further detail is often sacrificed to what the author presumably sees as readability, there is a useful introduction to the evolution of handwriting which that could be a good launching-off point for a fuller study another day. Reassuringly, there is little pressure to conform to the strictures of Spencer or other nib authoritarians, which is just as well.  You wouldn’t want to have to go through exercises like this every day, would you?spencerSo where did it go wrong?  Well, the author is a professor of creative writing, and goodness do readers get to see all his craft in action.  The endless whimsical footnotes, and diversions into irrelevances like Hitler’s handwriting and the Bic ballpoint, will either be very much your cup of tea, or very much not.  In short, he goes on a bit – and not about pens and handwriting, much of the time.missing-ink-cover

There are a couple of saving graces.  The first is that this fairly jolly romp through handwriting history and various unrelated matters also concludes with a positive message about the benefits of continuing to write something by hand every day – so our old-fashioned habits aren’t perhaps about to die out after all.  The second is that pre-read copies of the book are now available for such trifling prices (£3 for a hardback, even) that the ‘excellent’ parts of the egg justify the very modest expense.

For further mullings-over over of the book, see:

 

 

Coming soon to a screen near you…

United Inkdom has been going for just over a year, and now we’ve got through our initial publication schedule we’re having a little pause for breath, taking stock and figuring out what to do next.  Which is where you come in, dear reader – we’d like your thoughts and ideas!

The right stuff  Are we featuring or reviewing the products, companies or events which interest you, as well as us?  Is there anything ‘stellar’ that we’re missing?

Join our club Obviously we welcome all readers, but perhaps we should be welcoming more contributors too!  We’ve got this far with a core of three, plus some friendly ‘guest stars’ who we’re hoping will stay on board for longer.  But real life intervenes, so we need to expand the team.  Who should we recruit?  Is it you?

Private Reserve inks

A bit of history Private Reserve suggests a fine wine, rather than an ink, but it’s a brand that has had a loyal following in its native North America for many years. Here in Blighty, it’s a little harder to find, but several of our reviewers were kindly provided with samples by The Writing Desk following our recent couple of articles about their ways. The three reviewers all got different samples, so a meta-review has been a bit more challenging than usual – but Ian had reviewed many Private Reserve inks in the past and Scribble had tested all the purples, so we have quite a range covered!  Between us, there are five Private Reserve inks that at least two of us have tried, comprising two greens, a greenish blue and a pair of purples.  Are you inking comfortably? Then I’ll begin…

Don’t step on my blue suede shoes  Blue Suede is a good place to start because it’s a tricky colour to pin down.  It IS blue, but then again it’s really rather green.  Our newest reviewer, Daniel, points out that this is actually a teal, if anything – and a jolly decent one too. blue-suedeIt’s so saturated that there is no shading to speak of, but it’s not going to look insipid either.  Ian was a big fan too, adding that drying times may not be the fastest but they were also far from terrible.blue-suede-inkling

Ebony and burgundy go together in perfect harmony Those of us who like to sneak a purple to work are often in search of a purple-black ink, and this certainly fits the bill – plus, it has quite a noticeable sheen if you lay it on thick.  Ruth got a sample of this as part of her trial assortment and was suitably impressed.ebony-purple-swab

Scribble has been busy trying to review every purple there is, and still liked Ebony Purple so much that he’s got on to The Writing Desk and bought a big bottle of the stuff.ebony-purple-scribble

You say avacado, I say avocoda, oh let’s call the whole thing off Now, the good people at Private Reserve may not be able to spell avocado, but they certainly know how to make an ink that looks like the flesh of said fruit. avacado-inklingIan found the colour impressively rich, and Ruth was quite taken with it too.avacado-swab

Down-there-in-the-ink, sha-la-la-la-laa, it looks like the inkling of a plum Plum is a fruity shade which seems to do different things in different pens, unless of course we got some labels mixed-up!plum-inkling

Ian found Plum to be a fairly standard purple, whereas Scribble had it down as a deep magenta. But it’s rich and tasty, either way.plum-scribble

Yes, we have no rhinoceros Spearmint was quite a bit darker than the mention of mint appeared to suggest.  spearmint-dotcross

Rob found that there was more shading with this colour, but that the saturated nature of the ink could pose clogging challenges with some pens – albeit nothing that good rinse of the feed wouldn’t sort out. Ian enjoyed the shading that showed-up in his ‘inkling’ illustration too.spearmint-inkling

Somewhere over the rainbow Private Reserve has its origins in Indiana, which is quite a way from Kansas, but Dorothy probably wouldn’t be disappointed – plenty of other colours are available too!  Thanks to The Writing Desk, Daniel enjoyed another two greens; Ebony Green and the possibly mislabelled Ebony Blue, while Rob sampled Electric DC Blue and the nicely dark Chocolat, and Ruth enjoyed a sip of Orange Crush.  Private Reserve sent Scribble a set of samples directly to support his search for the perfect purple, so he’s also had fun with Purple Mojo, Purple Haze and Super Violet. Ian gets the prize for the broadest reach with reviews of Tanzanite, Buttercup, Ebony Brown, Black Cherry, and Shoreline Gold.

It’s the End of The World As We Know It But you’ll at least feel fine in the ink department with some of these – ‘well worth checking-out, in our assessment, and the simplest way of getting hold of them in the UK is to head to The Writing Desk.  Let us know about the colours we missed!

 

The William Hannah A5 notebook

A little bit of history  The disc-binding concept has been around for so long that the copyright lapsed long ago, as we covered in our previous article about the system.  But, despite the binder design being out there for all to use for quite a while, until recently there were few really smart-looking notebooks which employed it.  Then we discovered that a new brand had been born, right in the heart of little Britain – and in a trice, our band of hardened critics had all bought one!  So, what makes this disc-binder so thoroughly irresistible?

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How it looks  Well, how it looks is certainly part of the magic, coming as it does in a very tasteful array of colours. The outer leather is tough enough to knock about in most bags and come up looking handsome, whereas the inner suede-style leather can be selected in a range of rather groovier shades like purple and turquoise. It looks seriously classy.  For a little extra, you can also specify the colour of threads and get a monogram embossed onto the front as well.

How it feels  It feels pretty classy too. The outer leather is nicely tactile, and the inners are hard to resist stroking. The pages turn easily, and of course they pop in and out quite easily when you need to re-arrange them, too. Writing in one of these feels rather luxurious, which may sound an odd thing to claim from the humble act of putting nib to paper – but everyone who has tried finds themselves reporting the same experience. It also feels pretty good pitching up to a meeting knowing that you have the coolest notebook in the room, honestly.TanWHHow it fills  Now this is where life can get quite interesting for those who wish to have something very custom-made. The first thing that has to be mentioned is the impressive refill service available from William Hannah directly; the brand’s own paper (recently upgraded) came out very favourably in our tests, and as well as coming pre-punched for the disc-binder (naturally enough), it can be printed with dots, lines or grids in an ink which complements or contrasts with the colour of your notebook. There are also rather neat subject dividers available from the manufacturer now, so it’s perfectly possible to keep the whole thing ‘in house’ and have it working very well indeed.

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Come on now, that’s not the only way to fill it  Well, naturally enough we were also tempted to try out the alternatives, which anyone with a guillotine and a punch can do (the Atoma punch works perfectly but is shockingly overpriced, whereas the Arc punch just about works but is much more affordable).  Our testing panel came up with some surprising conclusions, as well as one or two entirely predictable ones!  For fountain pen obsessives, it’s perhaps no great shock that Clairefontaine Triomphe still rocks many scribbler’s worlds.  Slightly more surprisingly, competitor Atoma’s paper, while not notably fountain pen friendly, fares much better in tests with a pencil carried out by Matthias.  Rob introduced us to the splendidly-smooth British Advocate Xtreme, and the impressively multi-purpose German Gmund Tactile paper. Fabriano’s Italian offering seemed one of the most effective for dot-grid paper, while despite the impressive range of colours available, even apricot could not convince our contributing classical musician that Swiss Artoz1001 was quite the best thing since sliced bread when it comes to finding a surface which you can actually write on!  For anyone wanting a good wallow in the dizzying range of options (and pointers on a few to avoid), Rob has a very detailed blog post and Scribble has set up a complete new blog on the subject.WHrings-from-the-end

Crucially, how it works…  You open it up, slide a pen out of the optional pen-holder, and write!  Of course, the really handy thing is that you can re-arrange the pages to your heart’s content without the annoying clicking and grinding of ‘traditional’ ring binders.  When you have filled it up, you can decant your notes into one of the excellent archive packs which William Hannah has just started selling, featuring some of the largest aluminium discs available (they have holes in them, so technically they’re rings, but let’s go with standard nomenclature for now).  The whole system has clearly been properly thought-through and does just what it should do.

Book! What is it good for?  Plenty of owners take one to work, and in most professions that’s probably a great idea; it looks the part, and you can smuggle in some personal notes without embarrassment. But it’s also great for journal-writing or, as Ruth often demonstrates, reviewing fountain pens!

VFM  Value is a subjective thing with this as with all products, of course. £95 sounds like quite a lot of money – until you pick one of these up and see what you’re getting. This is a seriously high-quality product which will last for years and years, and apart from the Italian leather the whole thing comes from Britain; the metalwork is custom-made in Leicester, and the covers are sewn in Melton Mowbray.  Bear in mind the development and production costs, and it becomes more of a surprise that this is available for anything less than a three-figure sum. To put it in context, a rather prominent international stationery brand (yes, you know who) makes a boring black A5 leather organiser which retails for more than four times as much, and that doesn’t even feature the disc-binding system – so isn’t half as useful.  The William Hannah notebook is perhaps something of a luxury, but it’s one that really works for its living.Discs (or rings)

If this isn’t quite your cup of tea, but almost…  We respectfully invite you to reconsider! Seriously, this is lovely, it works brilliantly and there’s not much out there to compare with it.  Atoma and Arc both sell leather covers for their versions of the disc-binding system, and in the US Discbound Marketplace offer custom-made binders using Arc-style plastic discs, although it’s probably fair to say that many of these would struggle to compete with William Hannah’s form and function.  If you like the look of the notebook but would just like it in different size, there may be hope on the horizon; an A6 version is in the pipeline (probably as a custom offer initially) and there may even be an A4 version to follow one day.

The archive binder’s rings, doing their impression of Newcastle central station

Our overall recommendation  You have probably guessed by now; we recommend saving up for one of these and treating yourself, if you can.

The new subject dividers work well in the archive binder too.

Where to get hold of one  This is only sold ‘direct’, and the customer service is so good that we really don’t think that’s a bad thing.  You can catch the maker himself at numerous pen shows, or just head straight to the user-friendly website. Be prepared to be tempted if you do. By the way, if you do give in to that temptation any time in the next couple of months, mention United Inkdom in the comments/requests box and you’ll get an extra pack of paper included in the deal.

As well as the hyperlinks above (thanks to ‘James’ and Matthias for you contributions too), this meta-reviews references:

Thanks to  William Hannah for helping some of us reviewers get hold of the notebook (and various add-ons) early for reviewing purposes.

Twiss Pens ‘Green Lizard’ fountain pen review

A little bit of history The process of making cellulose acetate (the barrel and cap material of this pen) dates back to 1865.  Whilst not quite as old, this pen is made from materials rescued from a château in Le Mans that were made in the 1930s-40s. The pen has been expertly crafted by John Twiss of Twiss Pens (see the recent profile piece on United Inkdom) from a mixture of this material, ebonite for the grip and a black acrylic for the finials.Lizard posted

How it looks Like a reptile all dressed up for a night out at a 1970s-themed nightclub, the spiral pattern is sure to impress even those who don’t take to green in general. The black finials give a modern look & complement the pen nicely, and the clip is short & functional giving the pen a retro vintage feel (although this pen could definitely pull off something fancier). The striped ebonite grip section complements the lizard skin nicely and stops it from being overpowering. It is finished beautifully and whilst the pen is branded it is very subtle.Green-Lizard-acrylic-join

How it feels This is a very light pen, only 17g capped and filled but the balance on the pen is excellent. Despite being rather thin, it is comfortable in hand and is long enough to remain suitably usable even though it doesn’t post. The slightly shaped ebonite grip section is comfortable to hold and all the materials feel superb. We couldn’t figure out exactly how many times you needed to turn the cap to remove it, but it’s unlikely to swivel-off without a deliberate effort.

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Polymers explained, using the 1.1mm nib

How it fills The pen takes a standard international cartridge or the supplied Schmidt converter – just be careful not to pull too hard, as it screws-in to the grip section. The converter isn’t going to come loose in a hurry either.Green-Lizard-clip-and-cap

Crucially, how it writes… The pen fits a #6 JoWo nib, and it was supplied with a fine nib which was buttery smooth, a medium nib which was great, if a bit broader than expected and a 1.1mm nib that gave plenty of line variation and a smooth writing experience. JoWo nibs tend to be consistently good and if you want something special then it is always possible to fit a gold nib, something this pen probably deserves.

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Putting the F nib through its paces

Pen! What is it good for? Possibly not the best pen if you need to grab it quickly for jotting down a quick note, but for long writing sessions this is a gem. Definitely not a pen to be kept in the dark, this is a fancy pen but with an air of sophistication so it needs to be used.

The M nib, busy looking reptilian

VFM This is a one-of-a-kind pen.  John lovingly crafts each pen by hand, and based on the quality of finish this one is up to his usual high standards. You can buy cheaper pens, or even get pens at this price with a gold nib, but nothing that looks quite this special – so it still ticks our good-value-for-money box!

If this isn’t quite your cup of tea, but almost… Just pop John an email and discuss what you like and don’t like in a pen.  The waiting list is long, but it’s for a good reason.

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The 1.1mm italic nib, about to snap-up a passing dragonfly for supper

Our overall recommendation Twiss pens are admired by all of us due to the high level of craftsmanship and attention to detail. This pen is excellent to use and looks very special, it even has a bit of history attached. No-one wanted to give this one away however…

Where to get hold of one This is a one-of-a-kind pen, but if you want to commission something like it, the place to go is John’s  website.

Rarely seen in the wild, this green lizard requires a special licence to be kept as a domestic pen.

This meta-review references:

Thanks to John Twiss for making us (and one lucky winner) this amazing pen. Drop John a line and we are sure that he will be more than happy to craft you your own Twiss gem.

Giveaway  We did something a little special for this very special pen, asking would-be owners to leave here on this review as well as visiting our individual sites.  The competition has now closed and we’ve identified a winner!  Eric, we’ll be in touch to get your delivery details…

Profile of John Twiss

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A couple of years after taking early retirement, in search of something to do, John Twiss splurged out on an ancient lathe and some firewood, spent a week “producing some smaller bits of … round firewood”, came across a video of someone making a pen and decided to give it a go himself. That was five years ago and I think it’s safe to say that John is now the UK’s premier maker of handmade custom pens.

John’s based at Sherwood Forest Art and Craft Centre on the edge of that famous and ancient woodland. His studio is full of beautiful pens in every stage of completeness, from blocks of resin, wood or casein to the finished article. He can make pens from almost anything… although he did once turn down a request to create a pen from someone’s brother’s ashes.

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John doesn’t use any computer-aided machinery, making all his pens by hand on manual lathes. An individual pen can take up to a few days to make. If you’re interested, and in the Nottinghamshire area, you can stop by to see how it’s done.

Workshop

Although many pre-made pens are available through the website you really need to take advantage of John’s ability to make a pen to your exact requirements, using (almost, see above) any material you like, including Irish Bog Oak or custom-cast resin, in any shape, with or with a clip, using a range of nibs . . . well, you can see how this can get addictive.

 

Twiss-Marmalade-capped

None of this would matter if the finished product wasn’t good but the quality is in fact outstanding. Between us, your United Inkdom correspondents have bought or reviewed upwards of ten Twiss pens and they have all been exceptional.

You can follow John on https://twitter.com/twisspens and browse his  website here.

We will soon be reviewing, and then giving away, a very special handmade Twiss pen, so check back soon for details!

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Edison Collier

Edison-Collier-review

A little bit of history Edison Pens is based in Milan, Ohio and was founded in 2007 by Brian and Andrea Gray, in their garage. The company is named after Thomas Edison who was also born in Milan, Ohio and some of their pen models are named after people or locations related to him. They produce a range of ‘Signature Line’ pens which are completely custom made and cover a large range of models, including some unusual and fascinating filling mechanisms. The Collier is part of their ‘Production Line’ range, available in the UK exclusively from The Writing Desk. Production Line pens are more affordable than the Signature Line range but come without customisation options.

How it looks This is a fine-looking pen. Between us we were able to look at the Persimmon Swirl (bought by Rob with his very own money) and the Blue Steel (loaned to us by The Writing Desk). Both acrylics are gorgeous. The shape is both original and classic – a tough combination to pull off.

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How it feels The barrel is quite wide but tapers to a much slimmer section. This makes for a pen that’s very comfortable in the hand, particularly as it combines both a light weight and good length. It doesn’t really post. (It’s possible but a little precarious.)

How it fills It’s a standard cartridge/converter pen but it’s possible to use it as an eye-dropper too. If you choose the latter option you can fill it with enough ink to last a lifetime.

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Crucially, how it writes… The Collier uses a JoWo nib engraved with Edison’s bulb/nib logo. We were able to try out a few different steel nibs and they were all lovely (although one needed a little adjustment first). JoWo make great steel nibs but if gold is your thing, then that’s an option on the Collier too.

Edison-Collier-nib-and-shaped-section

Pen! What is it good for? Whatever you want, really. It’s a pen that would look great adorning your desk but it’s a pen that’s been made to be used.

VFM This isn’t a cheap pen but it’s been made to a high standard. You’re getting a pen that’s been made to custom-pen quality but at a much-reduced cost, which in our eyes makes the Collier good value.

If this isn’t quite your cup of tea, but almost… If the Collier is almost your perfect pen but not quite then it might be worth looking into Edison’s ‘Signature Line’ and customising the basic model to make it exactly what you want. Alternatively Edison have a couple of other models available in the ‘Production Line’ range.

Our overall recommendation We love this pen! It writes well, looks beautiful and is made with obvious care and attention to detail.

Where to get hold of one If you’re in the UK then The Writing Desk is the only place you can get one. If you’re elsewhere then Edison has a list of distributors on their website.

This meta-reviews references:

136 Edison Collier

Thanks to The Writing Desk for giving us the opportunity to try out this pen. None of us wanted to send it back!

The Writing Desk profile

So, rumour has it that the search for the perfect purple ink was behind the birth of The Writing Desk (which got Scribble rather excited) – is that true?

Well, almost! For a while it was difficult to get hold of Waterman purple, for reasons which were never explained, then we were on holiday in France and came across some lovely alternatives by J.Herbin. They had no UK retailers at that point, so we stepped into the breach.  We already had some experience of trading a few vintage pens online, and when Anna decided not to return to work as a solicitor after we had a daughter, one thing led to another.  Soon we were selling Pelikan too, then Conway Stewart.  The rest, as they say, is history.  We soon took on Private Reserve as the sole UK suppliers too, then Martin stepped back from his old job as an audio engineer and The Writing Desk became a full-time occupation.  We do sell quite a lot of purple ink, as it happens, but one or two other shades too…

How has life as a pen ‘etailer’ developed?

Pretty fast. When we launched our first website in 2001 there were few competitors, but also not so much in the way of ready-made platforms – we had to do our own technology development as well as sourcing the merchandise.  The web element has become a little more straightforward since, and we now find we have a healthy combination of appearances at pen shows and links with customers all over the world, from Keynsham to Kazakhstan.  Many of our customers, and suppliers, are in the EU so there could be further developments around the corner.

Anna and Martin at the London Writing Equipment Show 2009

What works best for you in staying in touch with customers, new and old?

We do contribute to some ‘hard copy’ publications, like the WES journal, but of course a lot of our contacts are formed and developed online too.  Answering questions on forums like FPN has been mutually helpful in the past.

So, tell us about TWD’s favourite pen brands…

Yard-o-Led, to follow on from United Inkdom’s recent articles, has been a big success; we were the first online retailers, and people really love the pens.  Edison remains unique to The Writing Desk in the UK, after John Serowka recommended us to Brian Gray; they’re a lovely company to work with and they’ve benefitted from working directly with customers via social media too. We loved selling Conway Stewart and were sorry to see the brand go, but Sailor is still going splendidly; their pens may look fancy, but those nibs are excellent – the ‘King Eagle’, in particular, is really something special. As one of the few TWSBI dealers in the UK we find their special editions fly off the shelves rather rapidly, too. Finally, we have to mention Kaweco; we’re big fans of the Sport and the new Supra is so well put-together, too.

…and inks?

Of course! Private Reserve, and Rohrer and Klingner, remain exclusive to us in the UK, and they both have sterling reputations.  Naturally we’re Diamine fans too, and our big 100ml refills have been popular ever since we started selling them – indeed, we’re thinking of refreshing the range soon, so ideas for inks which you writers need in high volumes are welcome!

How’s the workshop coming on?

That side of the operation is something we’ve always done but not really advertised previously, but we do quite a bit of pen servicing and repairs now, and are getting into nib tuning.  Italic regrinds and even nib width reductions are quite popular, along with the occasional TWSBI repair – those are user-serviceable but not everyone finds it a walk in the park.  It’s a part of the business we quite enjoy and, while it’s maybe not a big money-spinner, a lot of customers find it makes a big difference to their enjoyment too.

Thankfully only one ‘doctor’s pen’ in the workshop has a history quite as dark as this Parker’s.

So, the big question – what are you both writing with today?

Martin is using a vintage Pelikan M730/D730 set and a venerable Lamy 2000, while Anna is sporting a black Kaweco Sport and a TWSBI 530 – the first TWSBI the company acquired, and it’s still going strong.

Keep watching for meta-reviews of a pen, and an ink range, that only The Writing Desk stock in the UK…